Movie Memories: True Lies

In August 1994 I went to see True Lies at the cinema.  I think I was living in Rotherham at the time, which means I would have seen it with Jack, Phil and Chris.  However, it’s also possible I had just moved to Teesside in which case it may have been Charles and Ness.  I changed jobs in August of that year but I can’t remember when.  I have a very strong feeling it was Rotherham, in the multi-screen complex in the Meadowhall Shopping Centre.  Note: frankly, I can’t remember who I went to see it with, for which I am eternally ashamed, in my defence I claim complete and utter memory crappyness.  I really did like you, and I enjoyed your company, whoever you were.  I swear.

If you’ve seen the movie, you know it almost appears to be a serious spy movie at the start, and then as it progresses it becomes clear it’s not as it seems, and the comedy begins to ramp up.  It remains an action flick, but definitely changes in in tone.  Well, we were happily watching True Lies, and had just gotten to the part where Harry starts chasing a bad guy with Harry being on horseback, and chasing him into a hotel of some kind.

At that point, the fire alarms went off (we weren’t sure what it was at first) and we had to evacuate.  We were a bit incredulous, but we did as we were asked.  The cinema gave us replacement tickets, and we went back at a later date and watched the movie again.  The weird thing was, having seen the first bit, the tone of the movie changes almost at the flick of a switch moments after the scene we saw before we left.  Up until then it had been at least semi-serious, but the scene we didn’t see was Harry attempting to jump across from the roof of one building to another on his horse, and the horse baulking with a silly face.

Totally comic moment.

It just sticks in my mind because the interruption of a few days meant we all went back expecting the serious tone to continue and were jarred when it didn’t.  My lasting memory of that movie is expecting fire alarms to go off whenever Harry’s horse goes into the cinema.  The more I think about this film the more I have an image of going up some narrow escalators surrounded by a food court of some kind, so I’m growing increasingly convinced it was Meadowhall shopping centre.

I really enjoy the movie, have seen it a bunch of times now on video and DVD, and although some parts make me cringe in general I think it’s a pretty solid action comedy worth your time.  Just don’t smoke.

2009 Battle of the Robots

So, in 2009 we have Transformers 2 and Terminator Salvation.  Both are going to be huge whichever way you paint it, even if they suck.  Both are going to contain people fighting robots and probably robots fighting robots.  Both are going to be special effects extravaganzas.  Which one will win?

Who knows.  My advice is watch them both for what they are.  When I watch Terminator Salvation I won’t be going to watch the continuation of the Terminator story, I’ll just be going to watch huge onscreen explosions, people being crushed by robots, people blowing robots up in amusing ways and adrenaline pumping robot destruction action.  I don’t think it’s wise to go along expecting any serious continuation of the Terminator story, that path leads to dissapointment I feel.

But I’m looking forward to see Bale running around being manly and destroying robots.  Check out the latest trailer over here.

And Transformers 2 (Revenge of the Fallen)?  Well, the first one was silly and inconsistent and flawed and amazing, so I don’t expect anything different in the second.  There’ll be sillyness (these were toys after all) and there’ll be inconsistencies (because this isn’t trying to win Oscars for best screenplay) and there’ll be action and hot trailer trash chicks and guns and robots and explosions and more guns and tanks and planes and oh my.

Should be a good year.  Best Man vs Machine action since The Matrix Revolutions.  Maybe.

Movie Memories: Tarka the Otter

When I was young (I’m not sure of my exact age, my memory for that kind of thing is terrible but this was before 1984 so under 13 years old) the Royal British Legion club, which was situated in our local ‘shopping centre’ (which we called The Top Shops) played films.  I think it was at weekends.  I recall them playing onto a screen with some kind of projector.  My memory isn’t good enough to tell you why we were there (I was with at least my cousin Chris, that much I do remember), if it was just to see the films or for another reason, but I vividly remember seeing one film in particular.

Tarka the Otter.

I strongly remember not really being interested in the story of an otter, no matter how cute it might first appear to be.  I was probably sulking, I was a really sulky kid.  I know you find that hard to believe now when I’m unnaturally happy at all times, but it’s true! I sulked!

I remember seeing other films there, at the Royal British Legion, but I can’t for the life of me remember any of them except Tarka the Otter. I remember the smoke in the air and the stale smell of beer, the red vinyl covered seats with rips and foam showing through.  This was the age of supermarkets that were the same size as todays news agents who charged for carrier bags and still labelled food products with 1/2p stickers, hardware stores that smelled of metal and wood and sold 3amp fuse wire next to spare broom handles, local grocers and butchers who sold far better quality products than those supermarkets but couldn’t compete on price, and real Stotties (from Greggs!) filled with bacon and peas pudding.

I don’t recall if the RBL was showing the movies at the same time as their cinema release somehow, or if they were playing videos on some kind of projector (which seems more likely) and if they had or needed a license of any kind.  It’s just an odd memory of an odd time when places other than cinemas seemed to show films.

The Matrix, Reloaded and Revolutions.

I love all three Matrix movies.  I know some people who loved the first one felt let down by one or both of the followups, but personally, I think all three are fantastic.  The first one has the element of surprise both technically and from a story perspective, of course, but all three are brilliant.

I may write more about these movies (perhaps in a Movie Memories post), but for now, I provide you with this link which has everything you wanted to know and more about the three films.  I particularly enjoy this article on that site, discussing the philosophical questions the movies pose.

If you’ve not seen any of the three movies (why not?) be careful at that site, it’s spoilerific as you can imagine.

Movie Memories: RoboCop

Films for me are more than just an immediate enjoyment, they’re experiences which link me to certain periods in my life or certain times or particular events.  I thought I’d have a shot at writing a series of posts relating memories I have surrounding particular films (let’s say, weekly).  These may be memories of when I first watched them, or some other aspect of their existence.  First up, RoboCop.

I’m not sure when I first saw RoboCop, but I remember when I saw it most.  During the second year of my university course in Sheffield, in a house I shared with Charles, Neil, Steve and Steve (~1990).  We had a cheap television, a cheap video recorder and a bunch of videos of which one was RoboCop.  And we got our money’s worth by watching them over, and over, and over again.  We loved RoboCop, we loved it to bits and we knew it inside out.  Watching it was more than just seeing it on-screen, it was a shared experience, a house event.  We sat in the lounge, with it’s broken green furniture ((the sofa springs were so knackered you were essentially sitting on the floor)) and it’s terrible carpet and we lived that movie every time we watched it.

Having seen it so many times, it was inevitable that certain phrases made it into our speech at the time, and if you knew me at university you probably heard me saying ‘I’d buy that for a dollar’ far more than you wanted to.  Eighteen years later I’m still asking Bobby if he can fly, and he’s still telling Clarence he can’t.  Oddly, the more I watched it, the more I came to dislike the scene where Murphy gets shot to hell, prior to his transformation into RoboCop.  Knowing what was coming just made it worse for me and I have strong memories of leaving the room or avoiding watching that scene entirely.  I used to know the name of the huge gun and the name of the fancy car Clarence owned, but that memory has gone now.

So when I see RoboCop these days, I don’t just remember the bits of the movie I enjoy, I remember the year I lived in that shared house in Sheffield, and the good times that involved.

Here’s to RoboCop, put down your weapons, or there will be, trouble.

Women in Hollywood

I was going to tack this onto the end of the Empire’s top 100 movie characters, because it’s an Empire blog post relating to that content, and it echoes some of my thoughts as I was reading the list.  Why so few women?  However, some of you read this in rss feed readers, and they don’t show you the post if it’s changed as far as I can tell, so instead you get a new post.  You have only yourselves to blame!

Anyway, I’m not clever enough to tell you if this blog post is intelligent or cliched, but it read well to me.  Check it out here.  Here’s a quote I liked,

Now I appreciate that y’all took the effort to vote, and I don’t think you put a lot of duds on the list so well done you, but seriously, doesn’t this demonstrate anything to anyone else? Did many of you even notice the lack of female faces on the list? When female stars talk in interviews about the lack of decent roles, they’re not just bitching, they’re describing a concrete reality and a serious imbalance in Hollywood (it’s worth noting that one of the highest-placed women on the list is French). Ellen Ripley’s a great character, but is she the only woman in film history who deserves a place among the top 40?

Indiana Jones V, really? Truly?

Via Den of Geek we get this (they in turn got it from an interview on MTV),

MTV: Is the ball in George Lucas’ court at this point?

Ford: It is. That’s the process. With some general input, he goes off and searches for the MacGuffin and then stumbles into a story. And at some point, we have a chance to take a look at it and give some input.

MTV: And he hasn’t found the MacGuffin yet?

Ford: No, we’re still in the primary stages.

MTV: The end of the last film leaves your character in a very intriguing position. He has a wife and a kid. Can he still be that man of adventure with those commitments?

Ford: And he’s seen something. Remember those are the only witnesses to what he’s seen. That’s kind of interesting.

Really? Hmm, I’m not sure how exciting this was.  I’d go for another Raiders, but I’m not sure I can stomach another Crystal Skull.

Oblong Industries and their ‘g-speak’ environment

One of the founders of Oblong Industries served as a consultant on the movie Minority Report, and the computing interface you see in that movie was developed based on work he did at MIT.  Now his company have made it a reality.  Really.  Check this video,

I’m sure that the data and the input method is strongly tied together but in a few years this is going to be truly amazing.  Of course, we’ve been seeing this kind of thing in fiction and movies for quite a while (Johnny Mnemonic springs to mind), but if we finally have real world applications then that’s quite exciting.

I would dearly love to have a go at one of these, although I’ve got no idea what I’d do (probably write a blog post, I guess not the most efficient method).

Bourne universally Universal

Yeh, weak title but it was better than the ‘Bourne again’ ones.  Maybe.

Personally I loved the three Bourne movies, and I’m excited about the idea of a fourth.  If the screenplay is good, I’ll enjoy it.  So it’s interesting to hear (from Variety) that Universal have agreed with the Ludlum estate to secure exclusive rights to Bourne and first dibs on other Ludlum novels.  This means that if Universal want to turn Bourne into a long running franchise (longer than it already is) they’re one step closer.

The Estate remains involved and has contractual approval on actors, screenplays and characters.

Check out the full article.