Kick Ass

There’s something both distressing and fascinating about watching a 13 year old actress play an 11 year old kid dressed as a superhero getting beaten up.  But then, distressing and fascinating really describes pretty much the entire movie.  There are plenty of shocking things on screen in Kick Ass, although it’s the first and second deaths in the movie that carried the most weight for me, but there are plenty of laughs, some great dialogue, and plenty of comic book humour for those who enjoy it.

Kick Ass is an over-the-top comic superhero action movie.  We are presented with a young guy who turns himself into a superhero, because he can’t work out why no one has done it before, and is tired of being the victim, a father who has turned both himself and his daughter into real killer vigilantes, and an evil crime boss.  The movie doesn’t pretend to be anything other than a re-telling of many of the superhero stories we’re used to, it both pokes fun at those stories and poses questions about the consequences of the behaviours involved.  The result is a familiar plot of rescue, betrayal and redemption, but the delivery of that plot is slick, shocking and thoroughly entertaining.

It’s not without flaws, I felt it was a little long and could have done with being tighter in the middle when I was left wondering if I was enjoying it or not, but it crests that hump and shoots off into a rapid and excellent finale.

What really made the movie enjoyable for me were three things.  I loved the style and the cinematography.  The sound track was superb.  And Chloe Mortez rocked. Compared to the acting we saw in the early Harry Potter movies, from actors of a similar age, her acting is a world apart.  She rocked, she owned her scenes.  Everyone else was excellent, I loved all the characters, from Red Mist, Kick Ass himself, through to Big Daddy but Hit Girl (Chloe) really did steal this movie.

The action sequences are brutal, but there’s plenty of warning that’s how it is going to be, and I’ll be honest, it’s not easy watching an 11 (13) year old kid get their ass kicked on screen.  Nor do you escape unscathed by watching her shoot, stab and slice her way through the bad guys, I was left with an unsettling feeling of having seen something wrong.  But that isn’t a mistake, or a fault, I’m certain it’s intentional.

The ending was superb, very satisfying and dripping with cliche.  You should go see this movie, it should make money in the cinema because it’s a good film.  I loved it, despite the pacing issues.

X-Men Origins: Wolverine

There are major spoilers in this review, past the jump on the main page, but if you’re reading the article page or via RSS there will be no jump, stop reading now, you have been warned.  You will not be warned again.

We took the chance to see X-Men Origins: Wolverine at our local Showcase De Lux (sic) in Derby.  The sound and picture were really good, the leather reclining chairs were okay (not as comfortable as we’d hoped), the service and prices in the bar were shocking (prices not so surprising, service disappointing).  Combined with the price and the cost of parking (during the day) we’ll probably stick to the premier seats in the Nottingham Showcase.

Anyway.

I thought X-Men Origins: Wolverine was okay.  The movie tells the story of the (apparently) most popular X-Men member, Wolverine.  Unfortunately, a lot of that was already covered in the first few X-Men movies, so there’s a little bit of repetition.  Sure we learn some new stuff (for people who’ve never read the comics) and we see a little back story about how Logan started out, and we get to see how he turns from man-with-bone-blades to man-with-adamantium-bones.  The problem is that there’s no tension.  Spoilers follow.

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Hancock

I saw Hancock listed recently, in a collection of Superhero Spoof movies.  Let’s get this straight from the start, this is not a spoof.  This is a superhero movie and if you go in expecting a spoof you’ll be disappointed.  Yes, it’s a comedic superhero movie, but the comedy is an inherent part of the action and the story, this is a superhero movie with heart, depth and an excellent twist.

I was in fact, totally surprised at how much I enjoyed this, certainly, the most surprising movie experience in quite a while.  I was expecting a steady Will Smith comedy vehicle but Hancock is much more than that.  Our hero (Hancock) is a drunk, asshole superhero who saves people from crime and causes more damage in the process than the criminals ever would.  His reputation stinks, most people hate him and the city has hundreds of warrants out for his arrest, which he ignores.  It’s clear who really needs saving in this town, and when Hancock saves the life of a publicity specialist the resulting relationship nearly kills them all.

I won’t tell you anything else about the story because the real enjoyment of this story comes from the twists and to give them away would destroy half the film.  Suffice to say the performances are great, I really thought Will gave a great performance, big when it needed to be big and understated when it needed that.  Charlize Theron is a little hit and miss, but when she hits the character it’s really great.  There’s one really emotional scene, but it’s quietly sad and Charlize pulls a blinder.  I loved the humour, the subtle touches and the excellent action sequences.  Hancock really is a fully rounded and enjoyable movie.