Shrek the Third

Short review for this one. The freshness has gone, but the heart is still there. Shrek the Third is funny in parts, technically still impressive, but doesn’t add anything new to the franchise. Watch this if you’re a huge fan or have some free time to kill, or can watch it for free. Your kids will love it, and you’ll get a giggle and a good feeling.

Doomsday

Sometime in 2002 I saw Dog Soldiers. I’d never laughed that much during a horror flick, and I don’t really ‘do’ horror flicks, either I have an over-active imagination or I’m just a wuss, discuss after class. Anyway, I loved Dog Soldiers and was excited at the time to hear the British writer/director (Neil Marshall) was planning to make a trio of movies. That turned into dissapointment when I heard about The Descent, I knew that I really didn’t want to watch that one.

Then earlier this year I saw a trailer for Doomsday and thought it looked fun, and only later did I find out it’s the 3rd of the trio of movies that Neil planned, and that increased my anticipation. I didn’t manage to catch it at the cinema, but after seeing the trailer, reading one review and enjoying Dog Soldiers I bought it on DVD sure that I’d enjoy it.

I wasn’t disappointed. Doomsday is an unrepentant homage to Mad Max and Escape from LA/New York, a small twist of 28 weeks/days later and a hint of Reign of Fire thrown in for good measure. It’s not a serious movie, if you’re looking for something serious you need to look somewhere else. But it’s not a comedy either, it’s just a little bit over the top, that’s all!

In the not too distant future, Scotland is struck by a deadly virus and is quarantined and locked away behind a steel wall. Thirty years pass by, and the rest of the world assumes everyone north of the wall has died. Then the unthinkable happens and the virus returns, this time in London. There’s no choice but to send someone beyond the wall to see if there are any survivors and maybe a cure.

It’s a simple story, with some very minor twists (which are pretty obvious from the outset). The script isn’t elegant but it’s engaging, didn’t make me cringe and has some funny moments. The action sequences are superb, although some of the close quarters fighting is edited with some pretty swift cuts. It adds some style but I wonder what it was used to hide. None of the characters really stand out and step up beyond the cookie cutter description of them, but it doesn’t detract a great deal, this is never billed as a character story. There’s enough empathy with one or two of the characters to feel a bit of pain when they snuff it. I would have liked the film to be about 20 minutes longer and to show a little more interaction between some of the major players, but overall thought the pace was pretty good.

It’s a huge cliche, but it’s true to say this film won’t win any awards. It’s not as good as Dog Soldiers, but it’s hard not to enjoy the Britishness of the script and the dialog. It certainly pushes home (to me at least) how American the dialog in our regular staple of movies is (I know, obvious but I felt it was worth saying).

Overall I enjoyed the viewing experience, I had a few laughs, and the imagery in the movie was like an old friend. If you like apocolyptic sci-fi action fantasy comedy heroic action movies, you’ll like this!

Who ya gonna call?

From http://www.custompc.co.uk/news/604788/ghostbusters-is-first-film-to-be-released-on-usb-stick.html,

Are you the USB keymaster? You could be soon if you pick up PNY’s new 2GB USB flashdrive, which comes with Ghostbusters pre-loaded. While the music industry has been playing around with USB flash drives for a few years now, the movie business is still relying on discs, but that may change following this partnership between PNY and Sony Pictures Home Entertainment.

You can pick them up from Argos apparently for £30. That seems like an awful lot of money to shell out for a movie you can buy on DVD and rip to your PC yourself for about £1.

Cloverfield

So I’m late to the party. We watched Cloverfield on TV this evening (it won out over Juno). It’s engaging, fresh and interesting. It wasn’t too tense for me (I’m a wuss) which was pleasing. The dialog and acting were superb I have to say, it really did feel like it was being shot live and the actors didn’t know what was going on.

But (and it’s a big but) I hate the camera work. For me it detracts 100% from the movie going experience. I understand the whole style and the entire intent of the film is wrapped up in that style, but I was just constantly dragged out of the experience by the camera work.

I really do understand how it adds atmosphere, and that the drama of the scenes were enhanced because of the style, but for me, I hate it. There, I said it.

So, Cloverfield, if you can stand the camera work, it’s really good, if you’re like me, it’ll just bug you.

Hobbit update

Major contracts have been signed (Peter Jackson, Fran Walsh, Philippa Boyens, Guillermo del Toro).

From http://www.variety.com/article/VR1117990816.html?categoryid=13&cs=1

Peter Jackson, Fran Walsh and Philippa Boyens have officially signed on to collaborate on “The Hobbit” and its sequel with director Guillermo del Toro.

The announcement, from exec producers Jackson and Walsh and New Line president Toby Emmerich, came four months after del Toro confirmed he had signed on to direct both pics.

Jackson, Walsh and Boyens teamed on penning the three screenplay adaptations of J.R.R. Tolkein’s “The Lord of the Rings.” The third pic, “The Return of the King,” won an Oscar for adapted screenplay.

Hellboy II: The Golden Army

Hellboy II: The Golden Army is the second del Toro Hellboy film, and it assumes you’ve seen the first one. There’s no setup, hardly any introduction (there’s a little bit) and it gets straight into the action. I like that, if you wanted character intro’s for the lesser characters you had the chance to watch the first one before you went to the cinema.

HB2TGA (can’t spend the entire review writing Hellboy II: The Golden Army) is visually amazing. I believe; I believe this stuff exists somewhere and del Toro just took a camera along. The special effects make this film work, they make you truly believe. The pace is good although the overall film felt a little shorter than I would have liked. The script is snappy and isn’t going to impress your literature teacher, but if you went in to this movie expecting anything deep, you weren’t watching the same trailers as me in advance. Character interplay is solid enough, however I think the Liz Sherman character was underused. There’s a shot towards the end of the movie with her and Abe standing around looking useless while Hellboy and another character do their thing, and I wondered if it wouldn’t have been possible to use her a bit more.

Speaking of ‘another character’, there’s a new addition to the team in this outing and he’s entertaining and interesting, but I do wonder if it detracted from the original team of three a little – I always get edgy when movies have too many main players.

The action scenes are excellent overall, and we get to see Hellboy showing more than just ‘crush ’em’ type combat skills, which was nice. Despite several good goes there still wasn’t much of a sense of threat to Hellboy or the major players though; but there were some subtle references to his destiny and Liz having to make some choices that may affect it.

There are two particularly good comic sequences (more than two in the movie, but two stand out) which had most of the cinema laughing out loud.

The bad guy is multi-faceted and well played, there is certainly no caricature of evil here, but a complex individual with specific morals and the drive to obtain his desire at the expense of the human race. I had read a review or two complaining about the ‘echo-warrior’ bandwagon, which is basically complete tosh. The sentiment expressed by the Elven Prince is a long-standing theme in celtic fantasy and celtic real-world crossover fantasy in particular. The elven princess is equally well played in my view and entrancing.

I came home after seeing it, determined to write a blog post about people releasing trailers containing footage not in the final movie and how it annoys me. There was, I believed, a shot in one of the trailers I’d seen of the Prince in a room full of other elves and mythical beings calling for war and being given a good reception. It implied the Prince had a lot of backing and support, and that was missing from the film (you’ll see). So I got in, and watched all three trailers – and of course the scene isn’t there. I can see why I got that impression, and I recognised all the bits they had put together. I don’t know if they intentionally decided to give that view, when it’s not there in the film, but I guess I can’t complain about entire scenes that were missing when they never existed in the first place. It does say something interesting about how trailers and moving images can leave vivid impressions about something that never existed.

Anyway, this is a high quality movie with stunning visuals, a more than average complexity villain and some real laugh out loud moments interspersed with exciting action. If you can only go and see one movie this year, go and see The Dark Knight, but if you can see two, make this one a choice high up on the list.

The Rocky Horror Picture Show

Disclaimer: my memory sucks.

I was reading Wil Wheaton’s blog and his post on the Rocky Horror Picture show, and it reminded me of my first Rocky Horror partici -(consta)- pation (movie rather than stage show, I’ve never seen the stage show). Things were a little different for me, I’d listened to the audience participation album, over, and over, and over and over before I saw the movie.

The album was fascinating, almost magically transfixing. I can’t really explain why. But it was made even more surreal by never having seen the movie. I’d listen to it on my Sony Walkman, while going to sleep or doing whatever, amazed by the ability of the crowd to synchronise with the movie. I mean I really couldn’t even tell what was movie and what was audience sometimes.

Assuming you’ve seen the movie or the screenplay or heard the album, you’ll know there’s not really any mention of what any of the characters are wearing, or how they look. Ok, I’d sort of seen an image on the front of the album cover but it was only one image. So I guess I was in for a surprise when I finally did see it. My friend, who’d recorded the album onto tape for me, said we should watch it on video one day. Or maybe that happened after I saw it in the cinema. If he’s reading I’m sure he remembers.

Well well. Not quite what I was expecting, as you can imagine. More, skin that I was expecting. Certainly significantly more lace, and more gold lamé. But still, it was good to finally see what the hell was going on – there are some sections of the movie which when all you can experience is the audio don’t make any bloody sense at all. For example, the scene in the lab where the machine is turned on and makes a lot of whoooooooooommmmm type noises – no clue what the hell is going on if you just have the audio to work from.

So we watched it through, we shouted a few things and it was okay, it grew on me. Listening to the tape made a whole lot more sense now. I think that eventually I went to university, or it’s possible that this happened just before I went to university, as I say things are a bit hazy. But we found that a new cinema was opening in our home town, and for their opening night they would be hosting a Rocky Horror Picture show. Who could turn down such an opportunity.

I went as Eddy, I remember harassing a friend of mine to lend me his brown leather jacket, which he was clearly reluctant to do (especially since he knew where I was going to take it). My entire costume consisted of a stripe of tomato puré on my head to act as Eddy’s scar, and the desire to borrow a leather jacket (I’m pretty sure Dave never did let me borrow it, quite sensibly). Andrew wore a basque, I still have photo’s of him in it, which I swear never to show anyone. We piled into what I remember was quite a small car, maybe a metro or something, and drove to the cinema.

I have clear, absolutely clear recollections of driving past a police car on the way and getting a really good solid stare from the two officers in the front. I think we were all pretty nervous about being pulled over, and what kind of excuses we’d have to make. It added a sort of excitement to the whole deal, the risk of being pulled over (although we were obviously driving well within the legal limit), some guy with food on his head, another in women’s underwear, and who knows who else in the car (I don’t, memory explained above).

The cinema made the mistake of offering free popcorn. I’m not sure what they were thinking. Hundreds of people, who’ve come along itching to throw stuff around in a cinema, with water guns, and they handed out free popcorn. I don’t think anyone ate any of it. I do remember going home with it stuck to me, my feet, my hair and my clothes. And I vividly remember leaving the cinema walking through a trail of popcorn on the floor.

I remember throwing stuff, and shouting stuff and standing up and wafting the smoke away from the side of the screen (I stood in the aisle, not on the stage, not brave enough for that) at the right moment. I remember belonging to this club of complete lunatics for the length of the film. I remember it being a fantastic night. I remember spending a lot of time trying to ensure the people in underwear I was gawping at were in fact female.

I have no clue how much it cost the cinema company to clean that theatre but I’d like to thank them, erm, around 18 years later (roughly), for hosting that evening, it really was excellent.

And 18 years on, Rocky Horror Show participation is still a part of my life (like far too many movie quotes). I’ll be quoting it until I pop my clogs I should imagine, I listened to it so much, I just can’t get it out of my head.

So if you ever meet me, and half way through something you’re saying, I call you a slut or throw rice in your face, it’s probably not intentional. I promise.